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Avatar the Last Airbender Maker

American blithe television serial

Avatar: The Final Airbender
Also known as Avatar: The Legend of Aang
[1]
Genre
  • Action-hazard
  • Fantasy
  • Comedy drama
Created by
  • Michael Dante DiMartino
  • Bryan Konietzko
Voices of
  • Zach Tyler Eisen
  • Mae Whitman
  • Jack DeSena
  • Dante Basco
  • Jessie Bloom
  • Dee Bradley Bakery
  • Mako
  • Greg Baldwin
  • Gray DeLisle
  • Marking Hamill
Composers
  • Jeremy Zuckerman
  • Benjamin Wynn
Country of origin United States
Original language English
No.
of seasons
3
No.
of episodes
61
(list of episodes)
Production
Executive producers
  • Michael Dante DiMartino
  • Bryan Konietzko
  • Aaron Ehasz (co-executive producer)
Animators JM Animation (32 episodes)[a]

DR Movie (19 episodes)[b]

Moi Animation (10 episodes)[c]
Running fourth dimension 23 minutes
Product company Nickelodeon Animation Studios
Distributor MTV Networks
Release
Original network Nickelodeon
Picture format NTSC
Original release Feb 21, 2005 (2005-02-21) –
July xix, 2008 (2008-07-19)
Chronology
Followed past
  • Avatar: The Last Airbender
    (comics)
  • The Legend of Korra


Avatar: The Last Airbender

(abbreviated as

ATLA

[ii]), likewise known every bit

Avatar: The Legend of Aang

in some regions, is an American blithe television serial produced by Nickelodeon Animation Studios. Information technology was co-created by Michael Dante DiMartino and Bryan Konietzko, with Aaron Ehasz serving as caput author. Information technology aired on Nickelodeon for three seasons, from Feb 2005 to July 2008.[3]

Avatar
is set up in an Asiatic-inspired world in which certain people can telekinetically manipulate i of the four classical elements—water, earth, burn, or air—through practices known as “bending”, inspired past Chinese martial arts. The only individual who can curve all four elements, the “Avatar”, is responsible for maintaining balance among the world’due south iv nations, and serves as the bridge between the physical earth and the spirit world. The serial is presented in a style that combines anime with United States cartoons, and relies on the imagery of mainly Due east Asian civilisation, with some South Asian, New Earth, and Inuit and Sireniki influences.

The serial is centered around the journey of twelve-yr-sometime Aang, the current Avatar and last survivor of his nation, the Air Nomads, along with his friends Katara, Sokka, and later Toph, as they strive to terminate the Burn down Nation’s war confronting the other nations of the world. It also follows the story of Zuko—the exiled prince of the Fire Nation, seeking to restore his lost honor by capturing Aang, accompanied past his wise uncle Iroh—and later, his ambitious sis Azula.

Avatar: The Last Airbender
was a ratings success and received disquisitional acclamation for its characters, cultural references, art management, soundtrack, humor, and themes. These include concepts rarely touched on in youth entertainment, such as war, genocide, imperialism, totalitarianism, indoctrination and free choice.[4]
The show is regarded by several critics as i of the greatest animated television series of all fourth dimension. It won five Annie Awards, a Genesis Award, a Primetime Emmy Award, a Kids’ Choice Award, and a Peabody Award.

The extended
Avatar
franchise includes an ongoing comics series, a prequel novel series, an animated sequel serial, and a live-action film, as well every bit an upcoming live-activity remake series produced for Netflix.[5]
The complete serial was released on Blu-ray in June 2018 in honour of the tenth anniversary of its finale,[6]
and was made available to stream on Netflix in the United States and Canada in May 2020,[seven]
[viii]
on Paramount+ in June 2020,[ix]
and on Amazon Prime Video in Jan 2021.[10]

Serial overview

Setting

world map

A map of the four nations

Avatar: The Last Airbender
is set in a world where human being civilization consists of iv nations, named after the four classical elements: the Water Tribes, the Earth Kingdom, the Burn down Nation, and the Air Nomads. In each nation, certain people, known as “benders” (waterbenders, earthbenders, firebenders and airbenders), have the ability to telekinetically dispense and command the chemical element corresponding to their nation, using gestures based on Chinese martial arts. The Avatar is the only person with the power to bend all iv elements.

The Avatar is an international arbiter whose duty is to maintain harmony among the four nations, and act as a mediator between humans and spirits. When the Avatar dies, their spirit is reincarnated in a new body, who will be born to parents in the next nation in a prepare social club known as the Avatar wheel: Fire, Air, Water and Globe. By tradition, a new Avatar volition travel the world to learn all iv bending arts, later which they will begin in hostage their part as global peacekeeper. The Avatar tin can enter a status known as “the Avatar Land”, in which they temporarily gain the skills and knowledge of all their past incarnations. Although this is when the Avatar is nigh powerful, if the Avatar were always to be killed while in the Avatar Country, the reincarnation bike would end and the Avatar would never again be reborn.




Synopsis

A century ago, the young Avatar Aang, agape of his new responsibilities, fled from his abode and was forced into the body of water past a storm. He encased himself in suspended blitheness in an iceberg almost the S Pole. Shortly after, Fire Lord Sozin, the ruler of the Burn down Nation, launched a earth war to aggrandize his nation’s empire. Knowing that the Avatar must be an Air Nomad, he carried out a genocide against the Air Nomads with the aid of a comet enhancing firebenders’ power. One hundred years later, Katara and Sokka, teenagers of the Southern Water Tribe, accidentally discover Aang and revive him.

In the start flavour, Aang travels with Katara and Sokka to the Northern Water Tribe so he tin acquire waterbending and be prepared to defeat the Fire Nation. Prince Zuko, the banished son of the current Burn down Lord Ozai, pursues them, accompanied by his uncle Iroh, hoping to capture the Avatar to restore his honour. Aang is besides pursued by Zhao, a Fire Nation admiral aspiring to win Ozai’southward favor. When his navy attacks the Northern Water Tribe, Zhao kills the moon spirit; Yue, the princess of the tribe, sacrifices her life to revive it, and Aang drives off the enemy fleet.

In the second season, Aang learns earthbending from Toph Beifong, a bullheaded twelve-year-erstwhile earthbending prodigy. Zuko and Iroh, at present fugitives from the Fire Lord, get refugees in the Earth Kingdom, eventually settling in its capital Ba Sing Se. Both groups are pursued past Azula, Zuko’s younger sis and a firebending prodigy. Aang’s group travels to Ba Sing Se to seek the Globe Rex’due south back up for an attack on the Fire Nation timed to an upcoming solar eclipse, during which firebenders will be powerless. Azula instigates a coup d’état, bringing the capital nether Fire Nation command, and Zuko sides with his sister. Aang is mortally wounded past Azula, but he is revived past Katara.

In the third flavor, Aang and his allies invade the Fire Nation upper-case letter during the solar eclipse, but are forced to retreat. Zuko abandons the Fire Nation to join Aang and teach him firebending. Aang, raised past monks to respect all life, wrestles with the possibility that he will take to impale Ozai to end the state of war. When Sozin’s comet returns, Aang confronts Ozai and uses his Avatar powers to strip Ozai of his firebending ability; meanwhile, Aang’s friends liberate Ba Sing Se, destroy the Burn Nation airship fleet, and capture Azula. Zuko is crowned the new Burn down Lord and the war comes to an terminate.

Episodes

The series consists of sixty-1 episodes. The first episode—an-hour-long premiere—aired on February 21, 2005, on Nickelodeon.[11]
The series concluded with a two-hour telly movie broadcast on July 19, 2008.[12]
Each season of the series is known as a “book”, in which each episode is referred to as a “chapter”. Each book takes its proper noun from one of the elements Aang must chief: H2o, Earth, and Fire.[11]
The evidence’south start two seasons each consists of twenty episodes and the 3rd season has 20-ane. The entire series has been released on DVD in regions one, 2 and 4.[13]

Equally of May 2020,[update]
the complete series is bachelor on Netflix in the U.s.a..[xiv]
It became the most popular evidence on U.s.a. Netflix within the get-go calendar week of its release there, despite not being featured on the principal page.[seven]
The bear witness broke the record for longest consecutive appearance on Netflix’due south daily top ten list, with 60 directly days on the list, one of only two shows in the top ten record holders that wasn’t a Netflix original series every bit of July 2020.[15]
Later in June 2020, the complete serial became available on Paramount+ (at the time CBS All Access)[9]
and afterwards Amazon Prime Video[10]
in January 2021.

Development


Formulation and product

Bald man with glasses smiling

Dark-haired man with glasses smiling

Michael DiMartino (left) and Bryan Konietzko, the series’ co-creators

Avatar: The Last Airbender
was co-created and produced by Michael Dante DiMartino and Bryan Konietzko at Nickelodeon Blitheness Studios in Burbank, California. Its animation was mostly done by South Korean studios JM Animation, DR Moving-picture show, and MOI Animation. According to Konietzko, the series was conceived in early on 2001 when he took an old sketch of a balding, middle-aged human being and imagined the man every bit a child. He drew the grapheme herding bison in the sky and showed the sketch to DiMartino, who was watching a documentary near explorers trapped at the South Pole.

Konietzko described their early evolution of the concept: “There’s an air guy along with these water people trapped in a snowy wasteland … and mayhap some fire people are pressing downwardly on them”.[16]
Ii weeks later, the co-creators successfully pitched the idea to Nickelodeon vice-president and executive producer Eric Coleman.[17]

The series was introduced to the public in a teaser reel at Comic-Con 2004,[18]
and premiered on Feb 21, 2005.[19]

In an interview, Konietzko said: “Mike and I were actually interested in other ballsy ‘Legends & Lore’ properties, similar
Harry Potter
and
Lord of the Rings, but we knew that we wanted to take a different approach to that blazon of genre. Our beloved for Japanese anime, Hong Kong activity and kung fu cinema, yoga, and Eastern philosophies led us to the initial inspiration for
Avatar: The Concluding Airbender.”[twenty]

Pilot

A pilot episode for the series was fabricated in 2003. It was animated by Can House, Inc., written past Michael Dante DiMartino and Bryan Konietzko, and directed by Dave Filoni. Mitchel Musso voiced Aang in this pilot but was after replaced by Zach Tyler Eisen when the evidence began production. In the episode, Sokka and his sis Kya (renamed to Katara by the time the serial aired) must travel the world to notice masters for Aang, who is the Avatar; however, they must evade a disquisitional foe, Prince Zuko of the Fire Nation, who wants to capture Aang.

This episode was first publicly released as one of the extras in the NTSC season 1 DVD box gear up, which were not bachelor with the previously-released individual volumes. As the PAL box fix lacks extras, the episode was not made available on DVD in PAL regions. The episode was released with audio commentary from the creators, which unlike commentary on other episodes in the season is not possible to disable on the DVD prepare.[21]
On June 14, 2010, the unaired pilot was made available with and without commentary for the first fourth dimension via the iTunes Store.[22]

In 2020, the pilot was shown on Twitch.[23]

Influences

Fictional locations featured in the testify are based on the architecture and designs of real locations. For case, the creators modeled the urban center of Ba Sing Se off the Forbidden Urban center in Beijing, China.

The series is notable for borrowing extensively from Eastward Asian art and mythology for its universe. Its creators employed cultural consultants Edwin Zane and calligrapher Siu-Leung Lee to help determine its art direction and settings.[24]
[25]
Its character designs are influenced by Chinese art and history, Hinduism, Taoism and Buddhism, and Yoga.[24]
[26]
Jeremy Zuckerman and Benjamin Wynn created the series’ music and audio pattern together in the early on developmental stages and so went on to divide the tasks, Zuckerman taking on the musical responsibleness and Wynn the sound design. They experimented with a wide range of instruments, including the guzheng, pipa, and duduk, to match the show’s Asia-influenced setting.[27]
The art style of the fictitious locations used in the serial are based on real locations in Asia. Sites such equally the Forbidden City and the Slap-up Wall of China in Beijing were inspirations for the Globe Kingdom city of Ba Sing Se,[28]
and Water Tribe locations were based on Inuit and Sireniki cultures.[4]
According to writer Aaron Ehasz, early on Burn Nation designs were based on Japanese civilization. To avoid accidentally making broad statements, they redesigned many settings and peoples to be more “broadly inspired”.[4]
For the final design, the creators went with a more Chinese way for the Burn down Nation’s article of clothing and architecture.[29]
For case, the Fire Temple was based on the Yellow Crane Tower, equally its flame-like architectural elements were a perfect motif for the Fire Nation architecture according to the creators.[30]

The gestures used past the “bough” characters are derived from Chinese martial arts, for which the creators employed Sifu Kisu of the Harmonious Fist Chinese Athletic Association every bit a consultant.[31]
Each fighting mode is unique to the “benders” who employ them or characters who are aligned to a certain element. For instance, practitioners of “waterbending” utilise movements influenced by T’ai chi and focused on alignment, body structure, breath, and visualization. Hung Gar was the inspiration for practitioners of “earthbending”, and was chosen for its firmly rooted stances and powerful strikes as a representation of the solidity of world. Northern Shaolin, which uses strong arm and leg movements, was chosen to stand for “firebending”. Ba Gua, which uses dynamic circular movements and quick directional changes, was used for “airbending”.[32]
The Chu Gar Southern Praying Mantis style can be seen good by the earthbender Toph, who develops a unique fighting style as a consequence of her incomprehension.[33]
Asian cinema influenced the presentation of these martial-fine art angle moves.[16]

Themes

The series addresses many topics rarely touched on in youth entertainment, including problems relating to war, genocide, imperialism, colonialism and totalitarianism, gender discrimination and female empowerment, marginalization and oppression, also as the philosophical questions surrounding fate, destiny and free volition.[4]

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The show is set during a period in which the world is engulfed in an imperialistic war initiated by the Fire Nation. While state of war is a constant properties, the show depicts these effects through the eyes of mutual people—the oppressed Earth Kingdom citizens equally well equally indoctrinated Burn down Nation schoolchildren—to bear witness how state of war makes victims of everyone.[4]
And while the Fire Nation is presented as the instigator of violence, the bear witness also depicts the systemic inequality experienced by residents in the Earth Kingdom city of Ba Sing Se too every bit the nefarious activities of the city’s secret police. These situations show the corrupting nature of power and the nuances of good and evil.[4]
The show introduces viewers to genocide early on on when protagonist Aang visits his former home in the Southern Air Temple. He arrives to discover his people have been massacred, and allows him to display a range of emotions, from rage to loss.[34]

The character Zuko and his relationship with his begetter and Uncle Iroh is the serial’ chief redemption arc, and represents the evidence’south message that destiny and fate are non binding or set past other people, but can be changed.[35]
In season two, Zuko struggles to conform to the destiny and path determined past his begetter,[four]
but Iroh prods him, request, “who are yous, what do
you
desire?”[36]

The show besides represents a various cast of characters in order to tackle the issue of marginalization. For example, in introducing a blind character like Toph and a paraplegic boy like Teo, the evidence depicted characters with vulnerabilities overcoming their physical and societal limitations.[four]
This is also truthful when information technology comes to the show’s female person characters. For instance, female protagonist Katara faces systemic sexism when she reaches the Northern Water Tribe to acquire waterbending. In another example, her brother Sokka is initially dismissive of the all-female person Kyoshi Warriors, but learns to respect and appreciate their skills.[four]
According to Kirk Hamilton of
Kotaku, these themes represent the bear witness’southward message that it is more than of import to be oneself than hew to societal expectations.[36]

Reception

Ratings

Avatar: The Final Airbender
was the highest-rated animated television serial in its demographic at its premiere; an average of 1.1 million viewers watched each new episode.[37]
It had 5.vi meg viewers for its highest-rated episode[38]
[
need quotation to verify
]

and was a highly rated part of the Nicktoons lineup beyond its 6-to-eleven-year-onetime target demographic.[39]
A 1-hour special,
The Underground of the Fire Nation, consisting of the episodes “The Serpent’s Laissez passer” and “The Drill”, aired on September fifteen, 2006, and attracted 4.i million viewers. According to the Nielsen ratings, the special was the fifth highest-rated cable television plan that week.[xl]
In 2007,
Avatar: The Last Airbender
was syndicated to more than 105 countries and was one of Nickelodeon’s elevation-rated programs. The series ranked first on Nickelodeon in Federal republic of germany, Indonesia, Malaysia, holland, Belgium, and Republic of colombia.[41]

The 4-role series finale, “Sozin’s Comet”, had the series’ highest ratings. Its offset airing averaged 5.6 million viewers, 95 percent more than Nickelodeon had in mid-July 2007.[
citation needed
]

During the calendar week of July fourteen, it was the most-viewed program by the nether-xiv demographic.[42]
[43]
The finale’s popularity was reflected in online media;
Ascension of the Phoenix King, a Nick.com online game based on “Sozin’s Comet”, had near 815,000 game plays in three days.[44]

Critical response

Avatar: The Last Airbender
received widespread critical acclaim. Equally of July 2020[update], the show has a critics score of 100% on Rotten Tomatoes based on 23 reviews.[45]
Max Nicholson of IGN chosen it a “must-lookout” and described it as “one of the greatest animated series of all time”.[46]
Nick Hartel of DVD Talk chosen the series a remarkable, “child friendly show” whose legacy “should suffer for years to come”.[35]
Erik Amaya of Bleeding Cool described the series as “impressive in its sophistication” and “fantastic”.[47]
Henry Glasheen of
SLUG Magazine
called the series “adventurous and exciting”, a “classic” and occasionally moving.[48]
Co-ordinate to Brittany Lovely of
Hypable, it tells “complex and beautiful” stories.[49]
Joe Corey of Within Pulse described the series every bit an anime-action hybrid.[fifty]
Chris Mitchell of
Popzara
chosen it one of all-time shows to air on Nickelodeon, praising the serial’ background music and voice acting.[51]
D. F. Smith of IGN recommended information technology to viewers who enjoy activity-adventure cartoons.[52]

Rob Keyes of
Screen Rant
called the serial “one of the greatest cartoons ever made”.[53]
Mike Noyes of Within Pulse recommended information technology to viewers who bask “great” adventure.[54]
Gord Lacey of TVShowsOnDVD.com called the series “one of the finest animated shows ever”.[55]
According to Todd Douglass, Jr. of DVD Talk, adults will enjoy the series equally much as children exercise.[56]
Joshua Miller of CHUD.com called information technology “phenomenal” and “one of the most well animated programs (children’due south or adult) American TV has ever had”; according to Miller, the series is heavily influenced by anime.[57]
Tim Janson of
Cinefantastique
described information technology every bit “one of the most engaging animated shows produced”.[58]
Dennis Amith of J!ENT called the serial “one of the best blithe TV serial shown in the US by American creators”. Amith praised its sophisticated storylines, edginess, humor, and action.[59]
Franco “Cricket” Te of Nerd Society described
Avatar: The Last Airbender
as “one of the best drawing[due south]” he had e’er seen, recommending the series for its characters and plot.[60]
Scott Thill of
Wired
chosen the series engaging and its setting, influenced by the Eastern earth, “fantastic”.[61]
Kirk Hamilton of
Kotaku
said the series should be part of the Golden Age of Television, and recommended “the sophisticated kids show” to others.[36]

The show’s writing and themes have been widely lauded past critics. Michael S. Mammano of
Den of Geek
called the plot “smartly-written” and praised the animation.[62]
Nicole Clark, writing for Vice News, stated that the show’s narrative depth was “its greatest asset”, and praised the story’southward “emotional actuality” and how it “expose[d] very young viewers to darker field of study matter, like genocide and authoritarianism, while giving them a framework for understanding these issues.”[four]
Jenifer Rosenberg of ComicMix liked the program’s emphasis on family, friends, community, and education.[63]
According to Nick Hartel, the series touches on themes of “genocide and self-doubt” without frightening younger children; rogue characters are redeemable, sending an important message that people can change and are not bonded to “destiny”.[35]
Chris Mitchell chosen the plot “fantastic”.[51]
D. F. Smith compared the series’ plot to Japanese action cartoons, calling its tone and dialogue “very American” and praising the humor leavening an epic, dramatic theme suitable for all ages.[52]
Rob Keyes too praised the serial’ humor and affecting plot: “[It] will capture your hearts”.[53]

According to Mike Noyes, the series amalgamates elements of “classic fantasy epics”.[54]
Todd Douglass, Jr. called the plot engaging, well-thought-out, and meaningful. The series’ concept is “well-realized”, with a consistent story. Douglass wrote that the characters “[accept] a real sense of progression”, and praised the writers for their humour, drama, and emotion.[56]
Joshua Miller called the serial surprisingly dark despite its “empty-headed” theme; the plot is livelier than that of
Lost
and, similar to the latter show, emphasizes character development. According to Miller, its writing was “truthful adult levels of storytelling”.[57]
Tim Janson described the series equally more than fantasy- and superhero-themed, seeing the characters as central and relatable.[58]
“Cricket” Te praised the series’ use of Buddhist philosophies and the diverse presentation of its themes of backbone and life.[60]
Kirk Hamiltion praises the series for expressing towards its audience to be themselves and for its tranquillity progressivism.[36]

Critics also praised
Avatar: The Terminal Airbender
due south character evolution, art, blitheness, and choreography; Eric Amaya enjoyed the expressive animation that complements the writing. Co-ordinate to Amaya, the elements were influenced by Hayao Miyazaki.[47]
Todd Douglass, Jr. chosen the grapheme development interesting,[56]
while Nicole Clark wrote that the evidence “managed to do what so few shows even today have: gather a cast of characters that depicts the globe as it is, with a range of identities and experiences.”[four]
Jenifer Rosenburg praised the series’ portrayal of females equally “potent, responsible, [and] intelligent”.[63]
According to Joshua Miller, the bender characters’ utilize of bending for everyday activities brings “depth and believability” to the Avatar world. Miller chosen the series’ designs “rich and immersive”, with each nation having its ain, detailed look. He praised the activity scenes as “well rendered”, comparing the development of the Avatar world to that of
The Lord of the Rings, and the fight choreography as “wonderful in its most minor details”.[57]
D. F. Smith enjoyed the series’ painstaking backgrounds.[52]
“Cricket” Te praised each episode’s color palette and the choreography’southward combination of martial arts and magic.[60]
Nick Hartel criticized the animation, although he constitute it an comeback over previous Nickelodeon shows.[35]
Chris Mitchell called the animation fluid.[51]
“Cricket” Te agreed, noting its manga influence.[60]
According to Brittany Lovely, non-bender characters in boxing are “overshadowed” by their bender counterparts.[49]
Joe Corey chosen the animation’south action and environments a “great achievement”,[l]
and Rob Keyes praised the series’ fight choreography.[53]
Co-ordinate to Kirk Hamilton, the activeness sequences in the series are amazing while being child-advisable and exciting.[36]

Legacy

Avatar: The Last Airbender
has go a cult archetype and had a big impact in the 2010s on how networks viewed animated programs; subsequent children’s shows would often blur the lines betwixt youth and adult programming, featuring more than adult themes.[64]
[65]

Multiple media publications have hailed
Avatar
as one of the best (animated) television serial of all time.[66]
[4]
[67]
[68]
[69]
[70]
[71]
In 2013,
Telly Guide
included
Avatar
amongst the 60 greatest cartoon of all-time listing.[72]
In 2018,
Vanity Fair
ranked the series equally the 11th-best animated Telly show.[73]
IndieWire ranked
Avatar
at number 36 on its 2018 listing of the “l Best Animated Series Of All Fourth dimension”.[74]

The series experienced a resurgence in popularity following its improver to Netflix on May 15, 2020; it reached the number-one position on the platform’due south meridian series in the U.Due south. four days after release, and was the most-popular film or show for the week of May 14–21.[75]
The serial maintained a spot inside Netflix’s top 10 serial for a record-setting threescore days, the most of whatsoever show since the visitor debuted its list of acme series in Feb 2020.[76]
The series would become the nigh-streamed children’s series on the platform for the year.[77]
Both fans and co-creators Michael Dante DiMartino and Bryan Konietzko attributed
Avatar
s renewed popularity to its relevance to gimmicky events, including the COVID-19 pandemic and racial unrest in the U.Southward., with DiMartino remarking: “The major bug in the stories—genocide, totalitarianism, systemic injustice, abuse—sadly, these have been pervasive issues throughout history and continue to be. The bear witness is a reflection of our globe. But now, we happen to exist living through a time in which all these problems have been exacerbated.”[78]

Awards and nominations

Accolade nominations for
Avatar: The Final Airbender
Year Award Category Nominee Status
2005 Pulcinella Awards Best Action Gamble Telly Series Avatar: The Terminal Airbender Won[79]
All-time Telly Series Avatar: The Last Airbender Won[79]
2006 33rd Annie Awards Best Animated Television set Production Avatar: The Last Airbender Nominated[fourscore]
Storyboarding in an Animated Goggle box Production Lauren MacMullan for “The Deserter” Won[80]
Writing for an Animated Television Production Aaron Ehasz and John O’Bryan for “The Fortuneteller” Nominated[eighty]
2007 Nickelodeon Australian Kids’ Choice Awards 2007 Fave Toon Avatar: The Last Airbender Nominated[81]
34th Annie Awards Character Animation in a Television Production Yu Jae Myung for “The Blind Bandit” Won[82]
Directing in an Animated Television Product Giancarlo Volpe for “The Drill” Won[82]
Genesis Awards Outstanding Children’s Programming “Appa’s Lost Days” Won[83]
59th Primetime Emmy Awards Outstanding Animated Plan “City of Walls and Secrets” Nominated[84]
Outstanding Individual Achievement in Animation Sang-Jin Kim for “Lake Laogai” Won[85]
2008 2008 Kids’ Pick Awards Favorite Drawing Avatar: The Last Airbender Won[86]
Annecy International Blithe Film Festival TV series Joaquim Dos Santos for “The Day of Black Lord’s day, Part ii: The Eclipse” Nominated[87]
Peabody Awards North/A Avatar: The Last Airbender Won[88]
13th Satellite Awards Best Youth DVD Book 3: Fire, Book 4 Nominated[89]
2009 36th Annie Awards Best Blithe Television Production for Children Avatar: The Last Airbender Won[ninety]
Directing in an Animated Tv set Production Joaquim Dos Santos for “Sozin’due south Comet, Part 3: Into the Inferno” Won[90]
Golden Reel Awards Best Audio Editing: Telly Animation “Sozin’due south Comet, Role 4: Avatar Aang” Nominated[91]
Nickelodeon Australian Kids’ Choice Awards 2009 Fave Toon Avatar: The Last Airbender Won[92]
2010 Nickelodeon Australian Kids’ Option Awards 2010 Top Toon Avatar: The Terminal Airbender Nominated[93]

Other media

Books

Several books based on the show have been published. Dark Horse Comics published an art book titled
Avatar: The Last Airbender – The Fine art of the Blithe Series
on June 2, 2010, with 184 pages of original fine art from the series.[94]

Comics

Several comic-book short stories were published in
Nickelodeon Mag, and Dark Horse published
Avatar: The Last Airbender – The Lost Adventures—a collection of these and new comics—on June 15, 2011.[95]

Nighttime Equus caballus published a graphic-novel series by Gene Yang that continues Aang’s story later on the Hundred Years’ War.
Avatar: The Concluding Airbender – The Promise, published in three volumes in 2012, explores the fate of the Fire Nation colonies that go
The Legend of Korra
s United Republic. This serial was translated into Hebrew in 2016–2017.[96]
A 2nd ready of iii comic books,
Avatar: The Concluding Airbender – The Search, focuses on Zuko and Azula, and the fate of their mother Ursa.[97]
The second prepare was translated into Hebrew in 2018–2019.[98]
The third set,
Avatar: The Final Airbender – The Rift, shifts the focus to Aang, the creation of Commonwealth Metropolis, and Toph’south relationship with her family.[99]
The Rift
was followed past
Avatar: The Last Airbender – Smoke and Shadow
near a resistance force in the Burn down Nation confronting Firelord Zuko, who at the stop of the original series assumed the throne.[100]
The fifth graphic novel was
Avatar: The Concluding Airbender – North and South, which follows the events of
Smoke and Shadow
and is virtually Katara and Sokka returning to the Water Tribe to see various changes to their homeland.[101]
The adjacent graphic novel is titled
Imbalance
and was released in October 2018. The series explores the emerging disharmonize between the benders and non-benders that becomes the center for the disharmonize in the first season of the sequel,
The Legend of Korra. Dissimilar the previous v books it was written by Religion Erin Hicks.[102]

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Prequel novel series

A two-part young developed novel series focusing on Avatar Kyoshi written by F. C. Yee was published in July 2019 past Abrams Children’south Books. The first volume of the Kyoshi Novels is
Avatar: The Final Airbender – The Rise of Kyoshi.[103]
The second part in the serial, titled
The Shadow of Kyoshi, was released on July 21, 2020.[104]

Video games

A video-game trilogy based on the series has been released. The
Avatar: The Terminal Airbender
video game was released on October 10, 2006,[105]
and
Avatar: The Concluding Airbender – The Burning Earth
was released on October xvi, 2007.[106]
Avatar: The Last Airbender – Into the Inferno
was released on October 13, 2008.[107]
Avatar: Legends of the Arena, a massively multiplayer online role-playing game (MMORPG) for Microsoft Windows, was released on September 15, 2008, past Nickelodeon. Players can create their own character and interact with other players around the world.[108]
Avatar: The Last Airbender
was THQ’southward bestselling Nickelodeon game in 2006 and was one of Sony CEA’s Greatest Hits.[109]
Aang and Zuko appear every bit skins for Merlin and Susano, respectively, in
Smite.[110]
Avatar: The Last Airbender
characters and locations are featured in
Nickelodeon Kart Racers 2: K Prix.[111]

Film adaptation

The series’ first flavour was the basis of the 2010 live-action motion picture
The Last Airbender, which was written and directed by M. Night Shyamalan. Information technology was intended as the start of a trilogy of films, each of which would be based upon 1 of the three television seasons. The film was universally panned for its writing, acting, whitewashed cast, and Shyamalan’s management; it earned a five% approval rating on Rotten Tomatoes as well every bit 5 Razzies at the 31st Aureate Raspberry Awards, including Worst Picture,[112]
[113]
[114]
and some critics described it as i of the worst films always fabricated.[115]
[116]
[117]
Although the film originally shared the championship of the telly series, the championship
The Final Airbender
was used because producers feared it would be confused with James Cameron’due south film
Avatar.[118]
The Last Airbender
stars Noah Ringer equally Aang, Nicola Peltz equally Katara, Jackson Rathbone as Sokka, Dev Patel equally Zuko, and Shaun Toub as Iroh.[112]

Sequel series

The Legend of Korra, a sequel series to
Avatar: The Last Airbender, premiered on Nickelodeon on April 14, 2012.[119]
It was written and produced by Michael Dante DiMartino and Bryan Konietzko, the creators and producers of the original series.[120]
The show was initially titled
Avatar: Fable of Korra, so
The Terminal Airbender: Legend of Korra; its events occur 70 years after the finish of
Avatar: The Last Airbender.[121]
The serial’ protagonist is Korra, a 17-twelvemonth-old girl from the Southern Water Tribe who is the incarnation of the Avatar after Aang’s expiry.[119]

Live-activity series remake

Netflix appear in September 2018 that a “reimagined” live-action remake of
Avatar
was to start production in 2019. The serial’ original creators, DiMartino and Konietzko, were to be the executive producers and showrunners.[five]
The two said that they intended to adapt the series “with a culturally appropriate, non-whitewashed bandage”.[122]
It was announced that Jeremy Zuckerman, who equanimous music for the original show, would likewise be returning to do the music for the remake.[123]
On August 12, 2020, Michael Dante DiMartino and Bryan Konietzko both revealed on their social media that they had departed the show due to creative differences.[124]
[125]
[126]
[127]

In February 2021, Albert Kim was reported to have been brought on as the showrunner.[128]
In August afterward that year, information technology was reported that Gordon Cormier, Kiawentiio Tarbell, Ian Ousley and Dallas Liu were cast in the roles of Aang, Katara, Sokka and Zuko, respectively.[129]
On Nov three, Daniel Dae Kim, who voiced General Fong in the original serial, was reported to take been cast as Fire Lord Ozai, followed two weeks later by Paul Sun-Hyung Lee, Lim Kay Siu and Ken Leung in their respective roles as Iroh, Gyatso and Zhao, forth with news that production had begun in Vancouver.[130]
[131]
More casting news followed in Dec, with Elizabeth Yu, Maria Zhang, Yvonne Chapman, Casey Camp-Horinek and Tamlyn Tomita respectively cast equally Azula, Suki, Kyoshi, Kanna and Yukari, the latter an original character.[132]

Avatar Studios

On February 24, 2021, ViacomCBS announced Avatar Studios, a new division of Nickelodeon centered on developing animated series and films set up in the
Avatar
universe, to exist distributed via Nickelodeon’s linear and digital services, Paramount+, theatres, and other 3rd-party platforms. The partitioning is helmed past original series creators DiMartino and Konietzko, who are its co-master creative officers and written report to Nickelodeon Blitheness Studio president Ramsey Ann Naito.[133]
In add-on to this declaration, the company also stated the studio would begin production of an blithe film sometime in 2021. Konietzko and DiMartino remarked that “with this new Avatar Studios venture we have an unparalleled opportunity to develop our franchise and its storytelling on a vast scale, in myriad exciting ways and mediums”,[134]
while ViacomCBS Kids & Family president Brian Robbins alleged “Avatar: The Last Airbender
and
Korra
have grown at least 10-fold in popularity since their original hit runs on Nickelodeon, and Ramsey Naito and I are incredibly excited to have Mike and Bryan’s genius talent on board to captain a studio devoted to expanding their characters and world into new content and formats for fans everywhere”.[133]

Tabletop roleplaying game

On July 12, 2021, Magpie Games appear that on August iii of the same yr they’d exist launching a Kickstarter entrada for Avatar Legends: The Roleplaying Game, an officially licensed tabletop roleplaying game gear up in the universe of Avatar: The Last Airbender and The Fable of Korra.[135]
The campaign raised USD $9.53M, condign the well-nigh successful campaign for a tabletop game in Kickstarter’south history.[136]
Information technology has an expected release appointment of February 2022, with source books about Republic City and the Spirit Earth planned to be released in August 2022 and February 2023, respectively.[137]

Notes


  1. ^

    JM Animation animated episodes #1–2, four, 6, ix–10, all even numbered from 12–24, 26–27, all fifty-fifty numbered from 30–54, 57–58 and sixty–61.

  2. ^

    DR Movie animated episodes #3, v, seven–8, all odd numbered from 11–25, 28–29 and all odd numbered from 31–39.

  3. ^

    Moi Animation animated all odd numbered episodes from #41–53, 55–56 and 59.

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External links

  • Avatar: The Last Airbender
    at IMDb
  • Avatar: The Concluding Airbender
    at the Big Cartoon DataBase

Spoken Wikipedia icon

This sound file was created from a revision of this commodity dated 8 July 2020 (2020-07-08), and does not reverberate subsequent edits.



Source: https://en.wikipedia.org/wiki/Avatar:_The_Last_Airbender